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<channel>
	<title>Racha Baroud</title>
	<link>https://rachabaroud.com</link>
	<description>Racha Baroud</description>
	<pubDate>Thu, 29 Jan 2026 10:46:31 +0000</pubDate>
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		<title>homepage</title>
				
		<link>https://rachabaroud.com/homepage</link>

		<pubDate>Tue, 31 Mar 2020 23:25:35 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

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		<title>What traces of existence persist in the act of one's erasure?</title>
				
		<link>https://rachabaroud.com/What-traces-of-existence-persist-in-the-act-of-one-s-erasure</link>

		<pubDate>Sat, 22 Jul 2023 14:55:46 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/What-traces-of-existence-persist-in-the-act-of-one-s-erasure</guid>

		<description>
&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;












What traces of existence persist in the act of one’s erasure?Research, 2023 - On going&#38;nbsp;



In dialogue with the residents and the members of the Psychiatric Hospital of Malevoz, following three immersive months of research in this institution, Racha Baroud feeds this reflection from the outside of strictly rational discourses.


With the artisitc collaboration of:Zuzana KakalikovaWissam ArbacheYara Boustany
This research is supported by:Pro Helvetia Cairo - Swiss Arts Council Council et le Canton du Valais au Malévoz Quartier Culturel, Cité de Arts de Paris


Quelles traces persistent dans l’effacement de soi pour "exister”?Recherche, 2023 - En cours 


Au contact des résidents et du personnel de l'Hôpital Psychiatrique de Malévoz, après trois mois de recherche en immersion dans cette institution, Racha Baroud tente de nourrir cette réflexion en dehors des discours rationnels. &#38;nbsp;



Avec la collaboration artistique de

Zuzana Kakalikova

Wissam Arbache

Yara Boustany 


Cette recherche est soutenue par 
Pro Helvetia Cairo - Swiss Arts Council Council et le Canton du Valais au Malévoz Quartier Culturel,&#38;nbsp;Cité de Arts de Paris



Elle a été accueillie par le Théâtre Saint-Gervais à Genève et le Dansomètre à Vevey



&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2560" height="1422" width_o="2560" height_o="1422" data-src="https://freight.cargo.site/t/original/i/d65793cccb34c17e3d68a0ee680910476224ba1a5ff24be7002dbe98527c23be/Screen-Shot-2023-04-26-at-15.19.47.png" data-mid="185780869" border="0"  src="https://freight.cargo.site/w/1000/i/d65793cccb34c17e3d68a0ee680910476224ba1a5ff24be7002dbe98527c23be/Screen-Shot-2023-04-26-at-15.19.47.png" /&#62;&#60;img width="1024" height="579" width_o="1024" height_o="579" data-src="https://freight.cargo.site/t/original/i/62cac851d3c2a992636a9a5ee7d58ceeef0e574c2408f4ff453c584d3372173f/raccot-2.jpeg" data-mid="185780875" border="0"  src="https://freight.cargo.site/w/1000/i/62cac851d3c2a992636a9a5ee7d58ceeef0e574c2408f4ff453c584d3372173f/raccot-2.jpeg" /&#62;&#60;img width="2560" height="1430" width_o="2560" height_o="1430" data-src="https://freight.cargo.site/t/original/i/4af0df6ea1dd7802045502e391b5a0c80e102d9b47cc269cf300e8c4739bf967/Screen-Shot-2023-04-22-at-14.24.17.png" data-mid="185780874" border="0"  src="https://freight.cargo.site/w/1000/i/4af0df6ea1dd7802045502e391b5a0c80e102d9b47cc269cf300e8c4739bf967/Screen-Shot-2023-04-22-at-14.24.17.png" /&#62;&#60;img width="2552" height="1422" width_o="2552" height_o="1422" data-src="https://freight.cargo.site/t/original/i/70837474f0a1a9235c5c3779a516aefc4c8716bfb62c7d6e94ada39d17c74509/Screen-Shot-2023-04-26-at-15.27.01.png" data-mid="185780870" border="0"  src="https://freight.cargo.site/w/1000/i/70837474f0a1a9235c5c3779a516aefc4c8716bfb62c7d6e94ada39d17c74509/Screen-Shot-2023-04-26-at-15.27.01.png" /&#62;&#60;img width="1024" height="573" width_o="1024" height_o="573" data-src="https://freight.cargo.site/t/original/i/8577d7ff2baa3c76dff375ed52c6ed1636511a39cb5dddd5c9039cebe1ab382f/raccot-3.jpeg" data-mid="185780873" border="0"  src="https://freight.cargo.site/w/1000/i/8577d7ff2baa3c76dff375ed52c6ed1636511a39cb5dddd5c9039cebe1ab382f/raccot-3.jpeg" /&#62;&#60;img width="1024" height="548" width_o="1024" height_o="548" data-src="https://freight.cargo.site/t/original/i/0bde35ef692cb59657940fd21dcc3fd48cbd2ad74837ceb1574fbd5174143217/raccot-1.jpeg" data-mid="185780871" border="0"  src="https://freight.cargo.site/w/1000/i/0bde35ef692cb59657940fd21dcc3fd48cbd2ad74837ceb1574fbd5174143217/raccot-1.jpeg" /&#62;&#60;img width="1024" height="578" width_o="1024" height_o="578" data-src="https://freight.cargo.site/t/original/i/2f12fa6ed0350c6d13af58de447e871d0874f34d9846fefa8f77e244f3ab68bf/raccot-4.jpeg" data-mid="185780872" border="0"  src="https://freight.cargo.site/w/1000/i/2f12fa6ed0350c6d13af58de447e871d0874f34d9846fefa8f77e244f3ab68bf/raccot-4.jpeg" /&#62;

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		<title>What if those tears were not only mine?</title>
				
		<link>https://rachabaroud.com/What-if-those-tears-were-not-only-mine</link>

		<pubDate>Fri, 06 Mar 2020 16:24:32 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/What-if-those-tears-were-not-only-mine</guid>

		<description>
What if those tears were not mine ?
Solo performance, 2022



One night, alone in Jal El Bahr, the solitude of all the women in this
family steams in my mind. Each with her own story, in her own loneliness. Tears
flow on my face. 



I’m crying. I’m crying, and I think...



Between memories and reminiscences, Racha Baroud unveils the unspoken. 



Through voices, images and with the body in resonance, she reveals the
mechanisms of an unconscious heritage.
In this performance, she revisits the intimate history of her family and
finds the hope of a reconciliation.














 




























Et si ces larmes n’étaient pas que les
miennes ? Performance solo, 2022





Un soir, seule à Jal el Bahr, défilent dans
ma tête les solitudes de toutes les femmes de cette famille. Chacune avec sa
propre histoire, dans sa propre solitude.



L’une après l’autre des larmes coulent sur
mes joues. Je pleure. Je pleure,


Et je pense...



Entre
souvenirs et réminiscences, Racha Baroud dévoile l’indicible. Par la parole, l’image
et le corps en résonance, elle révèle les mécanismes d’un héritage inconscient.
Dans cette performance, elle revisite l’histoire intime de sa famille et trouve
l’espoir d’une réconciliation. 







 






















Artistic crew 


Racha Baroud /&#38;nbsp;
Concept, Performance and Videos
Racha Baroud &#38;amp; Karol Jarek /&#38;nbsp;
Co-direction

Yara Boustany / Assistant director




Anna Beghelli, Yara Boustany/ Choreography



Wissam Arbache / Dramaturgy
Riwa Baroud&#38;nbsp; /&#38;nbsp;
Set design




Charbel Haber / Composition

Fadi Tabbal / Sound design
Joy Moughanni / Sound engineer
Tarek Mourad /&#38;nbsp;
Light design
Nader Bahsoun / Tatiana el Dahdah Editing&#38;nbsp;
Sophia Moussa Fitch / Translation
Pierre-Emmanuel Urcun /&#38;nbsp;
Video Capture
Kassem Dabaji /&#38;nbsp;
Photography




With the support of :&#38;nbsp;




Abu Dhabi Cultural Foundation 
Amalgam StudioStank Production
 
Maqamat (in the frame of Co-Labs program) 


Pro Helvetia Cairo
The Polish Embassy of Lebanon
Malévoz Quartier Culturel
Théâtre Sévelin 36
Institut Français du Liban


















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</description>
		
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	<item>
		<title>Ali, Hashem and Khaled</title>
				
		<link>https://rachabaroud.com/Ali-Hashem-and-Khaled-1</link>

		<pubDate>Thu, 29 Jan 2026 10:46:31 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Ali-Hashem-and-Khaled-1</guid>

		<description>

	




















Ali, Hashem and KhaledA film by Roy Arida and Racha BaroudFeature Documentary, 2022





























In 2010, Roy shot a movie in Lebanon called Ba’adana. A scene of
the film is shot in the port of Beirut with the participation of three
employees met on location.
On the 4th of August 2020, one of the largest blasts in human
history destroyed the port and disfigured half of the city. 200 people
perished, 6000 severely wounded and more than 300 000 were displaced.
After the tragedy, Roy and Racha decided to go on a search to
find the three employees.



















Produced by Stank
With the support of CNC (Fond d’Aide à l’Innovation
Audiovisuelle)







































&#38;nbsp;




































Ali, Hachem et KhaledUn film de Roy Arida et Racha BaroudLong métrage documentaire, 2022






























En 2010, Roy tourne un film au Liban
: Ba’adana. Une scène du film est tournée dans le port de Beyrouth
avec la participation de trois employés rencontrés sur place.Le 4 août 2020, le port subit l’une des plus grosses déflagrations de
l’histoire. 200 personnes y laissent leur vie. 5 000 sont gravement blessées.
300 000 sont déplacées.
Après la catastrophe, Roy et Racha partent à la recherche des trois
ouvriers.



























Produit par Stank 
Avec le soutien du CNC (aide à l’écriture
du Fonds d’aide à l’innovation audiovisuelle)












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</description>
		
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	<item>
		<title>Jacques</title>
				
		<link>https://rachabaroud.com/Jacques</link>

		<pubDate>Fri, 06 Mar 2020 16:42:11 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Jacques</guid>

		<description>

	JacquesDirection, June 2019
2009. An evening in June. A classroom at 35 rue Saint Roch. A drama teacher is running rehearsals for Samuel Beckett's 'Worstward Ho'. " Head sunk on crippled hands. Vertex vertical. Eyes clenched. Seat of all. Germ of all." The words pierce the air and I decide to sign up for Jacques Fontaine's theatre classes. He was then 83 years old. Ten years later I return to meet him again; him for whom "words are truly the vital energy of existence".
Editing : Maximilien ZamanskiFilm produced in the frame of Les Ateliers Varan. June 2019

︎ Video


Jacques
Réalisation,&#38;nbsp;Juin 2019.




















Un soir de juin 2009. Une salle de classe au 35 rue Saint Roch. Un professeur de théâtre fait répéter Cap au Pire de Samuel Beckett. “Tête inclinée sur mains astrophiées. Occiput au zénith. Yeux clos. Siège de tout. Germe de tout.” Ces mots percutent l’air et je décide d’intégrer le cours de théâtre de Jacques Fontaine, alors âgé de 83 ans. Dix ans plus tard je reviens vers celui pour qui “les mots sont véritablement l’énergie vitale de l’existence.”
&#38;nbsp;

Montage : Maximilien ZamanskiFilm réalisé dans le cadre des Ateliers Varan,︎ Vidéo
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</description>
		
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	<item>
		<title>Today was my birthday</title>
				
		<link>https://rachabaroud.com/Today-was-my-birthday</link>

		<pubDate>Fri, 06 Mar 2020 16:41:16 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Today-was-my-birthday</guid>

		<description>

	Today was my birthday&#38;nbsp;
Direction, 2015-2016
Through a living picture housing musicians and fragments of memory, ambiguous objects and mirages, arisen from the past, the sounds and melodies of Kantor's theatre awaken and reinvent themselves.
Today was my birthday is a musical tribute to&#38;nbsp;Tadeusz Kantor‘s Theatre of Death, produced and created in Paris in 2015 on the occasion of the 25th anniversary of Kantor’s death, and the 100th anniversary of his birth. In collaboration with the composer Karim Douaidy, we created what I call a “sound dramaturgy”.Composer : Karim DouaidyLight designer : Lucile Mercier
Scenography : Alexis Cauvin
Artistic collaboration : Zuzana Kakalikova
Singer : Agnieszka BanasMusicians : Violin I : Caroline MègeViolin II : Pauline Gillet,Alto : Emmanuel Encinas, Cello : Liam Morrissey
Double Bass : Jean-Baptiste PelletierWith the support of: La Ressourcerie du Spectacle︎ Trailer &#38;nbsp;︎ Extract #1   &#38;nbsp;︎ Extract #2︎ Extract #3︎ Extract #4
La Maison d’Europe et d’Orient09.11.15Le Chêne 07 &#38;amp; 08.12.15Saint-Merry church
10.12.15 &#38;amp; 08.12.16



Aujourd’hui c’était mon anniversaire
Mise en scène, 2015-2016




















À travers un tableau vivant abritant des musiciens et des débris de
mémoire, des objets équivoques et des images-mirages, surgis du passé, les sons
et les mélodies des spectacles de Kantor s’éveillent et se réinventent.







Aujourd’hui c’était mon anniversaire est un hommage musical au Théâtre de la Mort de Tadeusz Kantor, produit et créé à Paris en 2015 à l’occasion des 25 ans de sa disparition et du centenaire de sa naissance. En collaboration avec le compositeur Karim Douaidy, nous avons élaboré ce que j’appelle une “dramaturgie sonore”.Compositeur: Karim DouaidyCréation lumière : Lucile MercierScénographie : Alexis CauvinCollaboration artistique : Zuzana Kakalikova
Chanteuse : Agnieszka BanasMusicians :&#38;nbsp;Violon I : Caroline MègeViolon II : Pauline Gillet,

Alto : Emmanuel Encinas, 
Violoncelle : Liam Morrissey
Contrebasse :&#38;nbsp;Jean-Baptiste PelletierAvec le support de:&#38;nbsp;
La Ressourcerie du Spectacle

︎ Trailer &#38;nbsp;︎ Extrait #1&#38;nbsp;  &#38;nbsp;︎ Extrait #2︎ Extrait #3︎ Extrait #4
La Maison d’Europe et d’Orient
09.11.15
Le Chêne 
07 &#38;amp; 08.12.15

Eglise Saint-Merri
10.12.15 &#38;amp; 08.12.16

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		<title>Suspended</title>
				
		<link>https://rachabaroud.com/Suspended</link>

		<pubDate>Fri, 06 Mar 2020 16:42:20 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Suspended</guid>

		<description>

	Suspended
Direction, 2016












Bodies suspended on the threads of a fallen spirituality.
All that remains of the ritual is the last movement, desperately repeated.
The plea to God is lost as the last notes of a choral chant die out.
























Performers : Cem Yigit UzumogluMertcan SemerciAli Haydar Cataltepe
Video directed in the frame of the workshop Contra/Diction led by Studio Matejka. Grotowski Institut.&#38;nbsp;Suspendu
Réalisation, 2016













Des corps épinglés aux filets d’une spiritualité déchue dansent lentement.
Du rituel il ne reste que le dernier mouvement repris désespérément.
L’appel à Dieu se perd dans le dernier souffle de l’incantation d’une chorale qui s’éteint.



Performers :&#38;nbsp;
Cem Yigit Uzumoglu
Mertcan Semerci
Ali Haydar Cataltepe
Vidéo réalisée dans le cadre du workshop Contra/Diction dirigé par le Studio Matejka. Brzerzinka. Institut Grotowski.&#38;nbsp;.




	


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		<title>Untitled#1</title>
				
		<link>https://rachabaroud.com/Untitled-1</link>

		<pubDate>Tue, 07 Dec 2021 23:00:15 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Untitled-1</guid>

		<description>

	Untitled#1.
Video, 2021
Untitled#1 is a cinematographic poem.&#38;nbsp;


	



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		<title>Unhearable voices</title>
				
		<link>https://rachabaroud.com/Unhearable-voices</link>

		<pubDate>Mon, 07 Nov 2022 15:03:14 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Unhearable-voices</guid>

		<description>

	Unhearable voices&#38;nbsp;Direction and performance, 2022Dance video.&#38;nbsp;
9’08min.
Unhearable Voices is an etude around the project What if those tears were not only mine?, a performance about unconscious heritage.
This movie was made in the frame of the Co-Labs residency in Amalgam Studio-Beirut in January 2022. 
 Unhearable voices
Réalisation et performance, 2022
Vidéo danse. 
9’08min.Unhearable voices est une étude autour du projet Et si ces larmes n’étaient pas que les miennes?, une performance à propos de l’héritage inconscient.
Ce film a été réalisé dans le cadre des résidences Co-Labs au Studio Amalgam en Janvier 2022.

Directed and performed by // Réalisation et performance :

Racha Baroud
Assistant director // Assistante à la mise en scène : 
Riwa Baroud

Cinematography // Directeur de la photographie : 
Nader Bahsoun 
Music composition // Compositeur : 
Charbel Haber

Sound design // Design sonore : 
Fadi Tabbal

Editing // Montage : 
Nader Bahsoun
https://vimeo.com/696037819

(Contact me to get the password.
Me contacter pour obtenir le mot de passe)With the support of : Amalgam StudioTunfork StudioMaqamat





	

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		<title>Midnight sun</title>
				
		<link>https://rachabaroud.com/Midnight-sun</link>

		<pubDate>Tue, 19 Nov 2019 21:54:31 +0000</pubDate>

		<dc:creator>Racha Baroud</dc:creator>

		<guid isPermaLink="true">https://rachabaroud.com/Midnight-sun</guid>

		<description>

	Midnight sun
Actress, 2018
Solwei, 10 years old, and her brother Louis, 18, have a car accident and end up in a small unknown city in the middle of the night. They meet up with Alma, a mysterious woman. A very strange night is about to start...Directed by Zoé Cauwet
With&#38;nbsp;

















Cyrille
Mairesse and Félix Lefebvre



Produced Arte Films and Apaches Films


Magie noire
Actrice, 2018







Solwei, 10 ans, et son frère Louis, 18 ans, ont un accident de voiture et se retrouvent en pleine nuit dans une petite ville inconnue. Ils y retrouvent Alma, une femme mystique dont le contact leur a été donné. Une bien étrange nuit commence alors…
Réalisé par Zoé Cauwet
Avec&#38;nbsp;

















Cyrille
Mairesse et Félix Lefebvre




Produit par Arte Films et Apaches Films


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